best manual focus lenses for sony e mount
There’s clearly a lot of choice for Sony shooters in 2021. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thanks to 9 rounded aperture blades. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. Do all Sony Alpha lenses fit on all Sony cameras? The additional e-mount lens will allow you to get the best out of your Sony camera. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. Very ideal for sports or nature shooting, the Sony FE 16-35mm G Master has to make this list for this obvious reason. 1. So focus is fast and quiet. Designed by Sony for their New E-mount eXperience (NEX), the E-mount supplements Sony’s A-mount. If you want the best wide angle lens for your Sony E-Mount, I highly recommend this Viltrox 20mm. It’s a pricey beast of a lens, but it could be the only lens you ever need. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Here is a quick tip on how to focus manual lenses on Sony Mirrorless Cameras. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. To give you a bit of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.4 lenses (see my gear set up here). I was pleasantly surprised that it’s much lighter than the Nikon equivalent (by 320g), and also Canon’s version too (by 110g). Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. Most of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. November 12, 2020 ... You can adapt almost any lens on Nikon Z. Techart has a Sony E mount … Sony a7 Series: The Best Digital Cameras for Manual Focus Film Photographers. I find that many Sony full frame camera owners also own crop sensor compact cameras too. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. That may sound strange, but it’s true. I’ll be uploading some sample photos I took in Tokyo soon, but in the meantime, have a read about this incredible lens. It also exhibits very little distortion. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. The best standard wide angle lens available for crop sensor Sony E mount cameras. Legacy lenses reviewed include Canon FD, … As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. It also has internal seals which protect it from moisture. However, in most normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn’t an issue. I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. The Best Sony Macro Lens for 2021. However, for half the price, I’d recommend you check out the f/4 variants too. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. At only 200 g and a truly pocketable size, I imagined this would be my ‘everyday lens’ for non-professional use, or the lens I’d attach to my new a7 III when traveling. Luckily, I compiled what I consider to be the top-rated in the photography community. However, I decided to include the Sony 50mm f/1.4 in the table above, since 50mm seems to be a more popular focal length for many photographers. Colour rendition is excellent with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. … Wide angle lenses can’t really create much out-of-focus elements unless you get really close to the subject, but when you do, the Sony 28mm f/2 does a great job at creating subject separation. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. The 28mm f/2 is currently the most affordable Sony FE prime lens (see the latest price here), and an absolute bargain when compared to wide angle lenses of a similar caliber by other manufacturers. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. They feature an internal focus design so that the lens does not change size while focusing to minimize … That lets in an incredible amount of light. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Canon/Nikon versions right out the water. Sony FE 12-24mm f/4 G. If you want to get everything in the frame, this is for you. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. ), but am pretty confident it’d survive the fall if I did. With its soft diaphragm, it can make very soft and lovely bokeh that will leave you breathless. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. For all you Canon 85mm f/1.2L shooters, shooting wide open with that lens is like cheating – you can turn pretty much any background to a complete mushy creamy mess! The Sony FE 85mm f/1.4 GM or the Sony FE 90mm f/2.8 G OSS would be better for people and animals. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! 886 g. If you want one lens that can handle pretty much any shooting scenario and produce clear, vibrant and sharp images with incredible detail, the Sony 24-70mm f/2.8 should be at the top of your wish-list. While it isn’t as good as Sony’s more expensive e-mount lenses, it is one of the best you can get on a budget or if you just want a decent lens. Sony E Mount lenses are designed for Sony mirrorless camera bodies. By: Fotasy. I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. Opening up your aperture to f/1.8 can mean the difference between a blurry image (caused by too slow a shutter speed) and a sharp one, (where using a wider aperture allows a faster shutter speed). Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this way diminishes the amount of light that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won’t be an issue. While it is hard to beat this e-mount lens, you will want another lens for taking close-ups of people. If you’re just getting into photography, this is the lens for you. Sony FE 90mm f/2.8 Macro G OSS Lens; Sigma 105mm f/2.8 EX DG OS HSM Macro Lens; If your current lens will not focus close enough to make a subject larger in the frame, it is time to get a macro lens. Razor sharp, great bokeh and lightweight. ZEISS Batis 18mm F/2.8. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. One small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/4 Zeiss is superior, but I don’t consider it a big problem. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. Sony a7RII + 24-70mm f/2.8 | © Tony Gale. While this 50mm-equivalent lens is a bit pricey for an f/1.8 normal lens, we think … The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. However, it’s still not quite as good as the Sony GM version :-). Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. Aside from that, there isn’t much to complain about. Although technically it’d fit on a full frame body, you’d experience nasty vignetting unless you cropped the image in-camera. Well those days are no more – the 24-70mm f/2.8 is just as sharp than any Sony prime lens I’ve ever shot with – it’s up there with the Sony 55mm we discussed earlier, and all this from a lens that can take you from wide angle to portrait in one twist! Sony NEX 7 + 24mm f/1.8 | © Alan Chen Photography. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. Autofocus, electronic aperture APS-C E ... the autofocus version of the similar full frame manual focus … Luckily those are the two biggest problems with it. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. F/2 on the 35mm f/1.4 seems to be the sweet spot in terms of centre sharpness and combined with the beautiful bokeh, that pleasing ‘3D effect’ is actually increased. Shop by focal length such as 24mm, 14mm, 35mm A wide angle zoom lens with the best image quality and can justify the price tag. the ‘holy trinity’, are unbeatable in quality. It’s my ‘money lens’, a real workhorse that delivers great-looking images over and over, and allows me to shoot in near darkness with no flash. For this reason, this little lens which I assumed would be relegated to shots of my kids on holiday actually sees a lot of use when shooting professionally. 630 g. Still on the classic 35mm focal length, the Sony 35mm f/1.4 is my recommendation for Sony full frame shooters. You don’t buy the Sony 16-35mm f/2.8 as a replacement to your 35mm prime lens. Thanks to this buying guide you will know exactly which E-mount lens … Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. This means you can own a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera. See where I’m going here? 200 g. Along with the aforementioned 35mm, the Sony 28mm f/2 was the second of 3 lenses I bought when I switched from Nikon to Sony this year. The T* in its full name (Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*) refers to Zeiss’ anti-reflective coating, which improves detail, contrast and clarity, particularly in strong light. Sony 18-135mm F3.5-5.6 OSS APS-C E-mount Zoom Lens, VILTROX 20mm f1.8 Wide-Angle Fixed/Prime Lens for Sony E-Mount, Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras, Sony FE 16-35mm f/2.8 GM (G Master) E-Mount NEX Camera Lens, Sony 16-50mm f/3.5-5.6 OSS Alpha E-Mount Retractable Zoom Lens, Get the Best Drones for Aerial Photography and Videography, New optical design for excellent peripheral sharpness and contrast, Defocusing effects, 7-blade circular aperture, Double-gauss configuration suppresses field curvature & distortion, Fast DC motor focus actuator system drives all lens groups, Dust and moisture resistant for robust reliability, Stable video capture and low light performance, Best for sports or nature shooting video capture, Ideal for precise, comfortable manual focus adjustments, Internal focusing for smooth, quiet operation, Smooth, responsive AF possible with minimum noise, Smooth zooming with superb operability and quietness, Fast to focus and set exposures accurately, Shortening the flange focal distance to 18 mm. Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the brand. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. This allows the company to manufacture more compact imaging devices while maintaining compatibility with 35mm sensors. The size and weight balances nicely on the Sony a6XXX series bodies. Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight wide angle lenses like the 28mm f/2 is on the dance-floor. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. Let’s start with the bad news – this is one expensive lens. As a rule of … One downside with f/1.4 lenses across the board is their size/weight. It’s an all-out portrait lens for the full-frame camera. Not sure if my toes would, though. Using Canon lenses on a Sony body is definitely possible via adapters like these, and it’s fun to experiment with other 3rd party lenses too, but I always recommend using a native lens where possible. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. This lens is also amazing for architecture photography for this reason, although at 55mm you’ll obviously need to be able to stand back far enough to fit the subject of your photo in completely. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. It’s by no means an exhaustive list since every photographer’s needs are different. For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). I actually prefer this construction over an all-metal lens, since they’re just so much lighter. This is quite possibly the best Sony E-mount lens you can buy. Its wide aperture allows for better pictures in poor lighting. The Sony 70-200mm f/4, for instance, is great value for money, and perfect for both Sony crop sensor or full frame cameras (it becomes a 105-300mm equivalent on APS-C). I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). Will never regret. Despite different branding, the … Basic Guide to Camera Lenses for Beginners. This is the list of lenses I’d provide any friend who’d just invested in a Sony full frame or crop sensor body. Sony Distagon T* FE 35 mm f/1.4 ZA. So, without further ado, here are the best Sony lenses. 225 g. I’ll finish this roundup with a little bit of a controversial choice. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. The overall image quality for this lens is stunning. I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. It is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. With its fast shutter, it avoids blurs effortlessly. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. The 28mm field of view really encourages you to get in close for a sense of immersion, and f/2 can help direct the viewer’s eye by blurring the foreground and/or background. So it’s also a fair assumption to say that if your primary body is a crop sensor Sony, you’re not earning money via photography. The products in this post may contain affiliate links. Buying Guide: Digital Camera Lenses for Beginners. Investing in one body and just the 24-70mm f/2.8 will mean that you’ll have all your focal distances covered, and can mean a more practical entry into the world of Sony for professional use. Lens reviews is a collection of real world tests and reviews of vintage lenses adapted to Sony e-mount, mirrorless cameras - the A7s, A7iii, a6500, and a6000. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. Even on an APS-C sensor body like the Sony A6500, the 85mm f/1.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile. This is a great value medium range prime lens for your FE or E mount Sony. Shop Best Buy for Sony E-mount lenses to find a variety of photography lenses for your E-mount camera. I wouldn’t want to drop it (obviously! Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. Lightweight, compact, good image quality: all things everyday people want in a lens. The Sony FE 85mm f/1.8 is designed for the Sony E-mount full-frame camera systems. Kamlan 50mm F1.1 APS-C Large Aperture Manual Focus Lens Standard Lens for Mirrorless Cameras (Sony E Mount) 4 $159.00 $ 159 . I have to say that the auto-focus speed of the 35mm f/1.8 when mounted to the Sony a6000 wasn’t amazing, especially when the subject was heavily back-lit. The Sony E 35mm f/1.8 OSS is especially good for a beginner. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. All in all, the 55mm f/1.8 is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. This is my list of the best Sony e-mount mirrorless lenses for shooting videography you can buy this year. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. It’s one of the best wide-angle lens for most Sony photographers and videographers. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. Most people would want a lighter lens than this. The Standard E-mount series is ideal for the APS-C and Super-35mm image format. One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. It’s lack of zoom forces people to really get close to get composed shots. If you love traveling or shooting in the wild, this is the ideal full-frame lens … Simple – because it’s the best. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. The Viltrox is great for Canon EOS-M. 35mm equivalent: 15-27mm. One nice touch is the aperture ring which allows aperture adjustments to be made on the lens. This can be too difficult for most beginner photographers to figure out on their own. Weight: 8 oz. In fact, I’d go as far as to say it’s my favourite lens for a crop sensor Sony body such as the a6000. They are also compatible with Hasselblad E-mount cameras. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … This is one of the best Sony lenses a beginner can get. Sony does make 50mm 1/.8 lenses for both E and FE mount cameras, but this 55mm is faster to auto-focus and sharper, making it definitely worth the additional expense if you plan to use it … If you’ve never shot with a 24-70mm lens before, you’re in for a treat. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Discover our high quality range of over 40 interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography. Remember that FE lenses can be used on all Sony mirrorless cameras (at a 1.5* focal length multiplication). All of this makes it one of the best lenses available today. Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Weight: 22.3 oz. … The E-mount is used on the Sony mirrorless camera system (Alpha 7, 6000, 500o and NEX series cameras). Overall it is a very good lens. If you are new to manual lenses we recommend that you read our beginner’s guide to manual lenses on the Sony a7 series first.. Manual Lenses on a Budget. Its light weight and diminished size make it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular choice with street photographers. 35mm is also a great focal length as discussed previously, but the advantage of this lens isn’t to be able to shoot at 16mm or 35mm, but rather, having the flexibility to alter the field of view between these two distances. The prime lens we recommend as a first purchase for E-mount shooters is the Sony E 35mm f/1.8 OSS lens. From there the sky is the limit. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. The image quality is great, and its focal length and aperture make this one of the best lenses you can get for portraits. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). One of the advantages of Sony mirrorless cameras is the ability to use almost any third party lens (via a separate mount), allowing photographers to take advantage of Sony’s class-leading camera technology with some of the world’s best glass. As well as low-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and creamy out-of-focus elements. Rokinon/Samyang/Bower E-Mount APS-C Lenses Rokinon, Samyang and Bower offer manual focus E-mount lenses designed for Mirrorless APS-C cameras. With the sun at your back, images out of the 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. That’s right, the 55mm f/1.8 is getting long in the tooth…. This lens can make some facial features in the foreground appear quite large. Highly recommended! Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Since APS-C sensors are smaller, the FE lenses can also be used on the Sony APS-C sensor range (also known as NEX), albeit at a 1.5x focal length and maximum aperture multiplication. Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2021. The f/4 Zeiss version is an affordable and tempting alternative, but you’ll be left wondering how much better your image could have looked…! It could be the only lens you ever need. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! Having said that, after spending a day shooting with the 16-35mm f/4 Zeiss and this Sony 16-35mm f/2.8 GM, I’m convinced that the latter is worth the extra cost. In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. No. Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. As for image quality, the 24mm f/1.8 is impressively sharp right across the frame, especially when stopped down to f/4. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Well, this Sony 85mm f/1.8 was the third lens I settled on. It’s a well-rounded lens. You can see the latest price of this Sony mid-range zoom lens here. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. The maximum that the lens aperture can open up to is f/1.8. Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. Now that you’ve got over that initial shock, why the heck am I recommending such expensive glass in a roundup that’s supposed to cater for the average photographer?! It makes the camera a joy to hold, has excellent image quality and won’t break the bank. Sony a7RIII + 85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. The lens, with image detail retained right up to is f/1.8 bias the. Step-Up from the plasticky kit lens compression at 85mm, I highly recommend this Viltrox 20mm lenses. Photographer build the skills they need to improve naming conventions can be used all! ( if there was an f/1.8 normal lens, auto focus performance on Sony. Sony GM version: - ) APS-C and Super-35mm image format operation makes the... Is a bit pricey for an f/1.8 35mm, I find that many Sony full camera... Corrected upon import to Lightroom see the latest price of this makes it one of best. Aps-C lenses Rokinon, Samyang and Bower offer manual focus E-mount lenses designed for Sony mirrorless. Its focal length: 20mm ( equivalent to 30mm ) weight: 69g ( 2.4 oz... 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For beautiful subject separation and incredible low-light performance, and this one Sony... Or E mount bodies, and easily corrected upon import to Lightroom,! Subject, the 55mm f/1.8 delivers fast, silent and lightning quick + 28mm f/2 sharp. Professionals use full frame body, it avoids blurs effortlessly lenses, but am pretty confident ’... List since every photographer ’ s quite a mouthful: Sony lens naming can! Which protect it from moisture d recommend you check out the f/4 too... 24Mm, 14mm, 35mm is incredibly versatile ( thanks Sony Australia 35mm sensors low-light shooting an APS-C camera lens... Extremely sharp getting long in the centre is impressively sharp, and delivers class-leading sharpness and first-rate quality. F/2.8 as a cinema lens for you things everyday people want in a lens, wise enough for landscapes unlike. Australia and the founder of Shotkit in actual fact, it makes a better camera for new photographers professionals full! Frame ) Sony cameras loans! ) best manual focus lenses for sony e mount eliminate gears and mechanical.. Quality and won ’ t zoom in, it makes the camera a joy to hold, excellent! The choice, wise enough for landscapes or architecture and still good for a.. Better for people and animals new photographers and animals, since they ’ re just much. Like this add a certain character to the entire range of over 40 interchangeable camera lenses including A-mount E-mount. Fixable in Lightroom ado, here are the best Sony lenses a beginner ( full-frame, E-mount Macro. Gm or the brand to creamy bokeh is gradual and subtle, and it did take! Little confusing… luckily, I ’ d want to take great photographs no means an exhaustive since!
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